COLLABORATORS JOSHUA HASHEMZADEH Aaron Sandness ADDITIONAL CONTENT Yesterday-Tomorrow Juan Capistran, Rakeem Cunningham, Aaron Sandnes, & Taravat Talepasand | March 21 – April 25, 2020
Previous Next Emily Jones : Chris I haven’t seen you in person for a while because of the Covid-19 pandemic, but I was able to visit your show recently and really enjoyed it. Can you tell me where you got the idea for the title of your show? Chris Rivas : The title “40 Days and …
https://youtu.be/r9fRKme7LE4 1. 박경률 <왼쪽 회화>전 소개 1. <To Counterclockwise>, Park Kyung Ryul 이번 전시 ‘왼쪽회화전’에서 작가는 스스로가 규정하고 있는 조각적 회화의 특징인 운동성 그리고 시간성의 개념을 전시 공간 안에서 적극적으로 실험하고 있는데요. Through <To Counterclockwise>, the artist actively experiments with the concept of temporality and motility–both being distinct features of sculptural painting–as defined by the …
Previous Next Semblance | Sunshine, on view at the Torrance Art Museum through August 29, 2020, traces the material and aesthetic influence of post-war Los Angeles on minimalist art within Southern California from the 1960s to today. SFAI caught up with, Joshua Hossain Hashemzadeh (BFA Painting, 2015), co-curator of the exhibition, to discuss the concept, …
Previous Next Artist Statement: The Unidentified Bright Objects (UBO) series is an ongoing body of work dedicated to exploring sound in sites of protest. The maracas began pragmatically, as an easy and portable way for me to add noise and clatter to the marches and rallies I was attending. The series continues to evolve, as …
https://youtu.be/xFS8KBegWT4 Susan Baik sits down with Chandraguptha Thenuwara, an artist turn activist whose body of work is dedicated to exposing political corruption in Sri Lanka. In 1997 the artist began presenting his self-curated memorial exhibitions, presented on 23 July every year to commemorate ‘Black July’. The exhibitions began with a series of work titled Barrelism, his response to the …
Joshua Hashemzadeh : Rakeem I’ve known you for some time and have gotten to see how you balance an artistic practice as a photographer with your curatorial involvement with Monte Vista Projects, and your professional life as a gallerist. I think you’d agree that it can be rewarding being able to shift between things like …
Virginia Moon : Han Youngsoo (1933–1999) was, in many ways, considered a street photographer, capturing serendipitous moments, as opposed to a photographer who was trying to create art with a camera. He came from a very wealthy family given that he owned multiple Leica cameras in the years following the Korean War (1950–53), one of …
Previous Next Joshua Hashemzadeh : 아티스트와 갤러리 모두 불확실한 미래에 대한 해결책을 찾고 있는 요즘, 작가님의 작업실은 현재 어떠한 상황이고 작업실 너머의 바깥 세상과는 어떻게 소통하고 있는지 궁금합니다. With artists and galleries alike trying to find ways to navigate a rather uncertain future, I wonder what your studio practice looks like today and how you’re …
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