Park Kyung Ryul(b.1979, Seoul) has been continuing her serious contemplation to approach the pure human soul inherent in the instinctive act of ‘drawing’ and ‘seeing’ through a shift in the perception of the painting medium. This methodology could easily be misunderstood as a means of painting’s sculptural expansion, but in truth, her installations are not about bringing the forms inside the paintings outside. They are more about better understanding the composite of canvas and pigments through sculptural arrangement. Park endeavors to treat every element of painting equally from an ontological dimension. Park strives not to leave any representational form on her canvases, but the viewers continue to see figures from them. Park regards the viewer’s conventional painting-viewing attitudes of continually discovering certain shapes as part of her work, inviting the audience to glimpse into the free nature of painting and its painterly essence.