Maxine Sakai : Much of your content subverts traditional ideas of space and perspective, such as in Full (2011) and Conversation of All Those Whose Lips are Sealed (2012). Along with this, the material you paint on further diverts from conventional methods of presentation. What is your inspiration for this manipulation of space and unique …
by Baik Art 
Chris Rivas : Can you tell me how your bucket series talks about the political history in Sri Lanka and Black July? 양동이 시리즈가 스리랑카와 블랙 7월의 정치 역사에 대해 어떻게 이야기 하는지 말씀해 주시겠습니까? Gayan Prageeth : The racial conflict that commenced on July 23, 1983, is commonly known as Black July. During these …
by Baik Art 
Previous Next Joshua Hashemzadeh : 아티스트와 갤러리 모두 불확실한 미래에 대한 해결책을 찾고 있는 요즘, 작가님의 작업실은 현재 어떠한 상황이고 작업실 너머의 바깥 세상과는 어떻게 소통하고 있는지 궁금합니다. With artists and galleries alike trying to find ways to navigate a rather uncertain future, I wonder what your studio practice looks like today and how you’re …
by Baik Art 
Joshua Hashemzadeh: 코로나로 인해 점점 불확실해지는 이 시기를 잘 보내고 계시길 바랍니다. 코로나19 이후 현재 작업실은 어떤 상황인지 궁금합니다. 그리고 작가님의 plain-air-painting과 야외 퍼포먼스(야외사생) 작업에 코로나가 어떤 영향을 미쳤나요? I hope you’re able to maintain some level of normalcy in these increasingly uncertain times. I’m curious what your studio practice looks like today …
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