Jane Brucker, LOST (detail), clothespins and buttons, photograph by Brian Forrest. Maxine Sakai : LOST (2006-), Spiritual Furniture (1996-), and Objects (1996-), are all currently ongoing projects. What is your process for considering a found object’s inclusion in one of these installations? Jane Brucker : My studio has a huge collection of objects, trinkets, family …
by Baik Art 
Installation of Timeless (2020). Courtesy Gallery Hyundai. In this essay art critic and curator, Andy St. Louis, reviews Minjung Kim 김민정: Timeless at Gallery Hyundai in Seoul and Minjung Kim’s solo exhibition at the Hill Foundation in New York. Classifying the art practice of Minjung Kim (b.1962) is no easy task. Fusing techniques of Eastern …
by Baik Art 
Maxine Sakai : Much of your content subverts traditional ideas of space and perspective, such as in Full (2011) and Conversation of All Those Whose Lips are Sealed (2012). Along with this, the material you paint on further diverts from conventional methods of presentation. What is your inspiration for this manipulation of space and unique …
by Baik Art 
https://youtu.be/Sgv5frYs9OA Artists Elliott Hundley and Entang Wiharso discuss the commonalities in their works, which explore contemporary political, social, cultural, and religious myths. Painter Hundley discusses the influence of literary references in his work and his approach to creating two-dimensional space in individual works and installations. Mixed media artist Wiharso describes the conditions of his early …
by Baik Art 
Chris Rivas : Can you tell me how your bucket series talks about the political history in Sri Lanka and Black July? 양동이 시리즈가 스리랑카와 블랙 7월의 정치 역사에 대해 어떻게 이야기 하는지 말씀해 주시겠습니까? Gayan Prageeth : The racial conflict that commenced on July 23, 1983, is commonly known as Black July. During these …
by Baik Art 
https://youtu.be/kj5-9PR9gB0 Artists Elana Mann and Jiha Moon discuss overlaps and divergences in their artistic approaches as well as their experiences as parents and educators or community organizers in the arts. They discuss the influence of their culturally rich backgrounds and everyday experiences of cross-cultural interaction on their work. Attention is paid to each artist’s distinct …
by Baik Art 
Installation view of Glory (1966-67) In this essay art critic and curator, Andy St. Louis, reviews the Park Rehyun: Triple Interpreter exhibition on display at MMCA Deoksugung in Seoul. The following photos are credited to Andy St. Louis. Retrospective exhibitions these days tend to be rather staid affairs, aspiring to please the greatest number of …
by Baik Art Input your search keywords and press Enter.