Joshua Hashemzadeh : Rakeem I’ve known you for some time and have gotten to see how you balance an artistic practice as a photographer with your curatorial involvement with Monte Vista Projects, and your professional life as a gallerist. I think you’d agree that it can be rewarding being able to shift between things like …
by Baik Art 
Virginia Moon : Han Youngsoo (1933–1999) was, in many ways, considered a street photographer, capturing serendipitous moments, as opposed to a photographer who was trying to create art with a camera. He came from a very wealthy family given that he owned multiple Leica cameras in the years following the Korean War (1950–53), one of …
by Baik Art 
Previous Next Joshua Hashemzadeh : 아티스트와 갤러리 모두 불확실한 미래에 대한 해결책을 찾고 있는 요즘, 작가님의 작업실은 현재 어떠한 상황이고 작업실 너머의 바깥 세상과는 어떻게 소통하고 있는지 궁금합니다. With artists and galleries alike trying to find ways to navigate a rather uncertain future, I wonder what your studio practice looks like today and how you’re …
by Baik Art 
Joshua Hashemzadeh: 코로나로 인해 점점 불확실해지는 이 시기를 잘 보내고 계시길 바랍니다. 코로나19 이후 현재 작업실은 어떤 상황인지 궁금합니다. 그리고 작가님의 plain-air-painting과 야외 퍼포먼스(야외사생) 작업에 코로나가 어떤 영향을 미쳤나요? I hope you’re able to maintain some level of normalcy in these increasingly uncertain times. I’m curious what your studio practice looks like today …
by Baik Art 
Joshua Hashemzadeh: I know we have discussed in length how much of Los Angeles’s artistic legacy has been overlooked through the decades and it seems that curators, collectors, and academics are just now starting to unearth and appreciate the stories behind some of the city’s great artists and spaces, one of which being …
by Baik Art 
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