https://youtu.be/mstxgEy2-k4 In the first conversation in the series, New Delhi artist Mithu Sen and Brooklyn artist Jaishri Abichandani compare notes on their feminist upbringings in 1970s India with curator Anuradha Vikram. They reflect on the different contexts of their artistic training in India and in the United States, finding support for radical art practices, and …
by Baik Art 
Chris Rivas : Your artist group got its name “Gegerboyo” from the protective lava dome at Mount Merapi. How was your group introduced to the story of this dome protecting Merapi residents from volcano eruptions? 아티스트 그룹의 이름 “Gegerboyo”는 메라피 산에 있는 용암을 보호하는 돔에서 이름을 얻었습니다. Merapi주민들을 화산 폭발로부터 보호하는 이 돔의 이야기를 어떻게 …
by Baik Art 
COLLABORATORS JOSHUA HASHEMZADEH Aaron Sandness ADDITIONAL CONTENT Yesterday-Tomorrow Juan Capistran, Rakeem Cunningham, Aaron Sandnes, & Taravat Talepasand | March 21 – April 25, 2020
by Baik Art 
Previous Next Emily Jones : Chris I haven’t seen you in person for a while because of the Covid-19 pandemic, but I was able to visit your show recently and really enjoyed it. Can you tell me where you got the idea for the title of your show? Chris Rivas : The title “40 Days and …
by Baik Art 
Previous Next Semblance | Sunshine, on view at the Torrance Art Museum through August 29, 2020, traces the material and aesthetic influence of post-war Los Angeles on minimalist art within Southern California from the 1960s to today. SFAI caught up with, Joshua Hossain Hashemzadeh (BFA Painting, 2015), co-curator of the exhibition, to discuss the concept, …
by Baik Art 
https://youtu.be/xFS8KBegWT4 Susan Baik sits down with Chandraguptha Thenuwara, an artist turn activist whose body of work is dedicated to exposing political corruption in Sri Lanka. In 1997 the artist began presenting his self-curated memorial exhibitions, presented on 23 July every year to commemorate ‘Black July’. The exhibitions began with a series of work titled Barrelism, his response to the …
by Baik Art 
Joshua Hashemzadeh : Rakeem I’ve known you for some time and have gotten to see how you balance an artistic practice as a photographer with your curatorial involvement with Monte Vista Projects, and your professional life as a gallerist. I think you’d agree that it can be rewarding being able to shift between things like …
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